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On a publicity tour in Japan, Carl, a Canadian author, finds himself falling in love amidst the sacred stages of Noh theatre and the seedy dance clubs in Tokyo, wired on cocaine and sake.

Poised between hope and despair, each man faces how best to move beyond the past and adapt to a future in which cultural legacy seems destined to diminish.

Dianne is a printmaker who derives her imagery from pre-history—Neanderthal teeth, the Jericho skulls, old bones.

In real and personal stories, these women share their personal stories of triumphs, tragedies, and life's funny moments, while challenging the reader to look beneath the surface of how society

In The Matka King—a story that pits human nature against love and chance—a landscape of betrayal and redemption comes to life in the red-light district of Bombay, India.

When fifteen-year-old Anna is told that her mother is dying of cancer, she responds in the only way she knows how—by ignoring the issue.

When Elsa and her family move from Iceland to Scotland, she is filled with uncontrollable joy over the new adventure she is about to begin.

Most people hope for happy endings. For Warren, a gay divorcee, that means getting his stuff back; most importantly, his cherished John Denver CD.

Concord Floral is a one-million-square-foot abandoned greenhouse and a refuge for neighbourhood kids; a place all to themselves in which to dream, dare, and come of age.

Siblings Josh and Jennifer are coping with the loss of their father, who disappeared in a floatplane accident last Christmas Eve.

Glory is a troubled teenage inmate who, in her solitary prison cell, is tormented by hallucinations.

Odette is a young Rwandan-born Canadian filmmaker who has travelled to Turkey to investigate stories of genocide and hidden identity for an upcoming film.

Experienced tailor Norman Davenport has barely opened the doors to his new clothing store in downtown Halifax when Sophie, an exuberant young woman, barges in looking for work, followed by Patrick,

"Man in Scrubs" follows the story of a queer black nurse who is getting awfully tired of being put in a box. He's queer, not gay, and he'll tell you the difference.

It's 1854 at the start of Now We Are Brody.