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Shortlisted for the 1997 Pat Lowther Award and for the 1997 McNally Robinson Book of the Year Award Toward a Catalogue of Falling, Meira Cook's second full-length book, proves that the fall i

Shortlisted for the 2012 Aqua Lansdowne Prize for Poetry A fascinating, ambling, loitering mystery story in verse, a whoizzit rather than a whodunit.

Longlisted for the 2004 ReLit Awards Slovenly Love is Meira Cook's third book of poetry.

The Vietnam War was a regional conflict that turned into an epic confrontation between ideologies, leaving deep scars on the psyches of nations that fought and long-lasting physical damage to Vietn

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

After twenty years Max Binder is still in love with his fiery wife, Maggie, and is determined to get her the perfect fortieth birthday gift.

Mike Filey brings the stories of Toronto, its people and places, to life.

The travel writing of celebrated writer George Fetherling is filled with vivid prose and bizarre characters.

A travel narrative written over the course of ten years, One Russia, Two Chinas is about change and resistance to change in the postmodern world.

The Toronto Star called him a legendary figure in Canadian writing, and indeed George Fetherling has been prolific in many genres: poetry, history, travel narrative, memoir, and cultural studies.

This volume features thirty-five of Don McKay’s best poems, which are selected with a contextualizing introduction by Méira Cook that probes wilderness and representation in McKay, and the canny, q