National Network for Equitable Library Service

Under the covers of Where the Nights Are Twice as Long: Love Letters of Canadian Poets, David Eso and Jeanette Lynes collect letters and epistolary poems from more than 120 Canadian poets, includin

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

Mike Filey's column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973.

As if it weren't bad enough being a failed romance writer with no sex life, poor Fiona Silk has to cope with the spectacularly embarrassing demise of her old lover, the poet, Benedict Kelly.

Mike Filey brings the stories of Toronto, its people and places, to life.

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes.

For decades Toronto historian Mike Filey has regaled readers with stories of the city’s past through its landmarks, neighbourhoods, streetscapes, social customs, pleasure palaces, politics, sportin

In the third Camilla MacPhee Mystery, Camilla’s looking forward to cutting loose at Ottawa’s Bluesfest, the huge open-air extravaganza, and to seeing the tail end of her annoying office assistant,

Camilla MacPhee is the black sheep of her perfect, blonde family, although she runs a law office specializing in Justice for Victims of violent crimes.

One of Canada’s best-loved sleuths returns in her sixth hair-raising adventure.

Out of print for many years, this much sought-after guide is being brought back just in time for the megacity's first summer.

From the 1890s through the 1920s, as horse gave way to machine, the look of Toronto and the lifestyles of its inhabitants were irrevocably altered.