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The Last to Leave is Margaret Clough's second collection of poetry.

"Your lips upon my lips, and your eyes upon my eyes."  —Victor Hugo Pocket Posh 100 Classic Love Poems will absolutely warm your heart.

These elegantly crafted works of social and psychological realism, counterpointed with expressionistic and surrealist textures, employ a language teeming with images, ideas and rhythms.

Karen Connelly’s first collection of poetry since The Border Surrounds Us, the poet offers up a searing, complex portrayal of her troubled family.

Something Small to Carry Home is an homage to the dead and the living, a family history, a celebration of life’s special occasions and a meditation on poetry itself, its solace and significance thr

This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode.

In the not-too-distant future, when biotechnological advances have made synthetic bodies and brains possible but illegal, a seventeen-year-old girl, recovering from a serious accident and suffering

To Rilke himself the Sonnets to Orpheus were "perhaps the most mysterious in the way they came up and entrusted themselves to me, the most enigmatic dictation I have ever held through and achieved;

Après «Le poème est une maison de long séjour», «Le poème est une maison de bord de mer» constitue le second volet de la trilogie «Catalogues affectueux».

A collection of laments and celebrations that reflect on our struggle to believe in the future of a world that continues to disappoint us.

In this poignant meditation on the uneasy relationship between science and the human spirit, a group of women aged nineteen to sixty-three with HER2-related breast cancer are recruited for a clinic

Neuropsychologist Helen Harlow is an expert at understanding the functions of the human brain, and yet her own remains a mystery.

Twin sisters Poubelle and Angelique are bonded in both biology and shared tragedy after a car accident leaves them orphaned along a prairie highway in a pool of blood.

Chrissie and Jeremy have spent a great deal of time in shock, waiting—for news of their baby daughter’s post-operation recovery, for weekly scans to show that her tumour is gone, for robotic forty-