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In the fall of 1941, as the situation for Jews worsens across Europe, Ibolya (Ibi) Grossman learns she is pregnant. She is scared and confused – a baby during wartime? But her husband, Zolti, assures her, “We need this baby, you will see.” When András (Andy) is born, Ibi realizes her husband was right. Andy gives her a reason to go on during the worst of times in the Budapest ghetto, and to persevere in their escape from Hungary after the war.

The son of an Antwerp diamond merchant, Paul-Henri Rips was ten when the Nazis invaded Belgium and ended his “golden childhood” forever. Guided by his father’s admonition to “Sei a mensch” (Be a decent person), Rips managed to hold onto his humanity in the face of unfathomable inhumanity.

When Germany occupied Hungary in 1944, fifteen-year-old Miklos Friedman drew on his wits to survive. Recruited into forced labour, sent to a ghetto and, ultimately, to the Nazi camps of Auschwitz and Mühldorf, Miklos never stopped fighting to change his fate. After the war, he risked everything in order to leave his past behind. Decades later, a chance meeting in Toronto led Miklos, now Michael Mason, to discover the power of his new name.

Nineteen-year-old Tommy Dick was killed, only to resurface. Born into a Hungarian family who had converted from Judaism, Tommy soon found out that in the eyes of the Nazis, he was still a Jew, still a target for murder. On the run and in disguise, Tommy was chased by death as much as he was by luck. Getting Out Alive is a vivid and gripping account of how the courageous acts of others, unshakeable friendships and Tommy’s own extraordinary quick wit conspired to save the life of this adventurous and determined young man in the cruellest of times.

Ten-year-old Steve Rotschild learns to hide, to be silent, to be still – and to wait. He knows the sound of the Nazis’ army boots and knows to hold his breath until their footsteps recede. Rotschild takes us on a captivating journey through his wartime childhood in Vilna, eloquently juxtaposing his past, furtive walks outside the ghetto with his long, liberating walks through Toronto fifty years after the war. Vividly evoking his experiences, this story of survival and a mother’s tenacious love leaves the reader indelibly marked by Traces of What Was.

In 1940 in the remote village of Rogne, Norway, eleven-year-old Margrit Rosenberg and her parents believe that they have finally found the safety that has eluded them since fleeing from Germany two years earlier. What could go wrong in a tiny village? But after war breaks out in Norway and anti-Jewish persecution escalates, the Rosenbergs must spend their winters in an even more secluded refuge – a small, rudimentary cabin in the mountains accessible only on skis. At first, in a landscape frozen in time, the isolation offers relative security and tranquility.

Swept up in the Bolshevik revolution, Joseph Stalin’s Communist Party purges and World War II, the Rakitova family faces innumerable obstacles to survival. But young Maya knows only that her father is gone and that she must hide her Jewish identity. With what Maya calls “uncommon courage,” her mother fights to protect her, relying on the tenuous hope that Maya can keep her identity a secret.

Born two hundred kilometres away from each other and two years apart, Zsuzsanna Fischer and Eva Steinberger are both thrown into chaos when Germany occupies Hungary and destroys their peaceful childhoods. In the spring of 1944, as Zsuzsanna and Eva are sent into ghettos and then to Auschwitz, they each take refuge in the one constant in their lives – their older sisters. A glimpse into the fierceness of a sister’s love, In Fragile Moments and The Last Time mirror the remarkable differences of similar paths of survival.

Two Jewish girls born six months apart – Judit Grünfeld (Judy Abrams) in Hungary and Eva Felsenburg (Marx) in Czechoslovakia – are separated from their parents and forced to "pass" as Christian children. Theirs are the amazingly parallel but unique stories of two children who were able to survive when so many others perished.

For six desperate years, Willie Sterner’s skill as a painter saved him from death at the hands of the Nazis. Faced with inhumane conditions in slave labour camps and grieving the loss of his close-knit family, Sterner relied on courage and ingenuity to hold onto his dignity. Through almost random luck, he came under the protection of the famed Oskar Schindler and became his personal art restorer.