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This is the third anthology of Italian Canadian writers organized and edited by Caroline Morgan Di Giovanni with support from Centro Scuola e Cultura Italiana, Toronto.

No other Canadian writer is as thoroughly conversant with the fertile tradition of surrealism as Beatriz Hausner.

These elegantly crafted works of social and psychological realism, counterpointed with expressionistic and surrealist textures, employ a language teeming with images, ideas and rhythms.

Pin Pricks is a collection of deceptively simple poems and aphorisms, each of which expresses an understanding of what it means to be human in this high-tech, global age.

Nevermore: A Book of Hours is a modern bestiary and a book of remembrance, a distillation of 30 years of research and meditation by author and poet David Day, an acknowledged authority on the extin

Syrinx and Systole is a book of prose poems and lyrical poems which meditate, with a Buddhist orientation, on philosophical and religious themes such as the relationship between human consciousness

In The Hundred Lives Russell Thornton illuminates the intricate imaginative orders of love at work within an individual life.

Rough Paradise is a unique and moving novella about identity and growing up Intersex in a violent, unwelcoming, heteronormative world.

After the rupture of her most recent relationship, Chloé begins a new life by taking a job as an advertising rep for an upscale fashion magazine in Montréal.

Set in Toronto’s seedy underbelly, The Green Hotel challenges our notions of "Toronto the good." Rich in detail, the book engages us with gritty realism and a startling portrayal of a lif

Cleopatra at the Breakfast Table is about storytelling in the digital age. It’s a jaunty account of a single father, 55, and his daughter, 15, studying Grade 10 Latin together.

Karen Connelly’s first collection of poetry since The Border Surrounds Us, the poet offers up a searing, complex portrayal of her troubled family.

Aside from the fact that she was born with bright orange hair, Reggie has always felt pretty ordinary.

Tormented by his wife’s apparent determination to abort their child, a psychologist travels to a small coastal fishing town in South America, where his recently deceased father lived.

The poetry of Fermata, like the pause or hold in music which the word signifies, conjures the audible spaces between notes and the suspended moment.