Abstract
This is an intimate biography of an artist who became a legend after his death, but who in his private life stands revealed as a troubled man who was, in many ways, his own victim. Joan Murray's new biography is part detective work, too: she investigates his beliefs, and the origins of his great masterpieces, and provides a convincing description of the possible circumstances of his death. The art of Tom Thomson represents one of the high points of Canadian modernism, which flourished in the first two decades of this century.