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Here is the best of Bill Gaston's stories since the publication of his Giller Prize nominated collection, Mount Appetite (2002). In this extraordinary work, Gaston crafts his fiction around the idea of the gargoyle -- the concrete representation of extremes of human emotions. In Gaston's marvellous, riotous, Rabelaisian world, Gargoyles are physical manifestations of the disfigurements and contortions to which we human beings subject ourselves. Indeed, as Gaston wrote each story, he sketched out a distinct gargoyle to look down over it.

This attractive trade paperback collection of Anne Hebert's later novels includes some of the most accomplished and best loved fiction of her more than sixty-year career, and features an introduction by her dear friend and fellow acclaimed ex-pat writer, Mavis Gallant.

A Guardian Book of the Year and Chapters/Indigo Best Book A bestseller in Scandinavia -- Doppler is the enchanting, subversive, and very unusual story about one man and his moose. This beguiling modern fable tells the story of a man who, after the death of his father, abandons his home, his family, his career, and the trappings of civilization for a makeshift tent in the woods where he adopts a moose-calf named Bongo. Or is it Bongo who adopts him? Together they devote themselves, with some surprising results, to the art of carefree living.

Full of the mordant wit and unflinching observations we've come to admire in Bissonette's earlier, award-winning novels and stories, An Appropriate Place is as much a commentary on the triumphs and self-deception of the political generation that refashioned Quebec as it is a dramatic story of one woman looking for her place within a disappointing world.

A lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication.In her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto.Shirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls.

A Guardian Book of the Year and Chapters/Indigo Best Book In the foothills of a mountain range in northern Pakistan is a beautiful orchard. Swallows wheel and dive silently over the branches, and the scent of jasmine threads through the air. Pomegranates hang heavy, their skins darkening to a deep crimson. Neglected now, the trees are beginning to grow wild, their fruit left to spoil on the branches. Many miles away, a frail young man is flung out of prison gates. Looking up, scanning the horizon for swallows in flight, he stumbles and collapses in the roadside dust.

In this extraordinary sequel to Just Fine, we follow many of the same characters who dreamt of escape from the insular, predictable cadences of life in Acadia -- from Baltimore to Israel, San Francisco to Denmark, Moncton to Paris -- in exploration of their newly gained freedom.

The Withdrawal Method is a remarkably inventive, assured, and smart collection from one of our best young writers, one who pairs emotional depth with great technical skill. These extraordinary stories peel back layers to reveal the strange, the wondrous, the unexpected.

With this astounding fourth novel in her ongoing series of contemporary masterpieces (These Festive Nights, Thunder and Light, Augustino and the Choir of Destruction, and Rebecca, Born in the Maelstrom), Marie-Claire Blais invites us again to enter a complex circle of unforgettable characters. But this time, the tone is different: Blais' writing has acquired a new, buoyant, electrifying rhythm -- a rhythm some critics have described as the heartbeat of the world.

In Augustino and the Choir of Destrucion literary legend and three-time winner of the Governor General's Literary Award Marie-Claire Blais delivers the third volume in the prize-winning series (These Festive Nights, Thunder and Light, Augustino and the Choir of Destruction, and Rebecca, Born in the Maelstrom) acclaimed as one of the greatest undertakings in modern Quebec fiction. Augustino and the Choir of Destruction is set on an island in the Gulf of Mexico that is home to the full spectrum of humanity: the rich, the poor, the powerful, the humble, artists, criminals.