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Nevermore brings one of America's most enigmatic writers to the attention of a new generation of children. This intriguing photobiography examines the life and times of the author and poet who would have a huge influence on future generations of writers, poets, artists, and even songwriters. Poe pioneered the psychological horror story, the detective story, and the emerging genre of science fiction. Through his dark tales and unforgettable verse, as well as his literary criticism, he made major contributions to the development of the modern short story and modern poetry in America.

In their book Glorious & Free, authors and creative directors Kim Bozak and Rita Field-Marsham are redefining how Canadians see themselves by shining a light on thirty-three daring individuals who, through the way they lead their lives, are revealing the most beautiful thing about this country: that here individuals are free to be whoever they dream themselves to be so long as they are courageous enough to embrace it.

“It was the wild west, as all fished in a totally unregulated way in a free-for-all.” For centuries, fishermen the world over have been prosecuting the waters teeming with cod from the Grand Banks of Newfoundland and Labrador. The growing demand for fish in world markets, the inexorable march of technology, and the failure of international governments to limit the harvest from the sea have each played a part in turning this industry into a thin shadow of its once great majesty.

The Portuguese White Fleet, whose name derived from its vessels’ white hulls, is an important part of Newfoundland and Labrador history. Gaspar Corte-Real’s followers had been fishing off the Grand Banks for more than 400 years, but it was not until the 1900s that Portuguese fishermen began persecuting the North American cod fishery in force. When these ships made calls to St. John’s, the sailors and fishermen became a prominent part of the city’s way of life.

Maud Lewis has become one of Canada’s favourite folk artists, and her buoyant winter pictures of nature, pets, farm animals, and people at work and play are among her most charming. Her hands were twisted with arthritis, but Maud earned her living by painting Christmas cards and pictures and selling them from her tiny, gaily painted one-room house beside the highway near Digby, Nova Scotia.Originally issued in 1997 and now available in this updated edition, Christmas with Maud Lewis paints a portrait of how this spirited woman celebrated the season in her life and art.

Irene Borins Ash captures the vitality of senior citizens in a series of photographs with biographical sketches and life philosophies. The fifty people featured represent a cross-section of the population, ranging from the famous to the physically and intellectually challenged. Included are June Callwood, David Suzuki, Dr. Jean Vanier and Oscar Peterson. Striking black-and-white photographs accompany the text that demonstrates the possibility of aging wonderfully, with purpose, joy and achievement

From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall

2017 Orillia Museum of Art & History Award, Historical Publications and/or Research — Winner The history of Orillia, told through the stories of its people, bringing to life the community’s heritage and significance. The Orillia Spirit: Muddling through Canada’s first, and hilarious, experiment with daylight savings time, Mayor “Daylight Bill” Frost had it. Creating his own money and dreaming a drainage ditch would become a tourist attraction, Mayor Ben Johnson had it. Taking his town’s electric company by force, Mayor J.B. Tudhope had it.

An exploration into Montreal’s Beaver Hall Group and its legacy of women painters who now rank among Canada’s most outstanding artists. Today it is difficult to imagine that the art of Montreal’s Beaver Hall Group was once shocking. As these Modernists struggled against academic art, critics such as Samuel Morgan-Powell ranted — “rough,” “meaningless” “blatant plastering and massing of unpleasant colours in weird landscapes” — and likened their paintings to the “cacophonous riot of metallic yowlings” of jazz that was invading the city.