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For over a quarter century, many readers have agreed with legendary publisher Jack McClelland, who said, “I have never before encountered a book journal as engaging as BC BookWorld.” But over several decades, the populist style of BC BookWorld has tended to overshadow its literary value and its essentially educational agenda. Here in The Best of BC BookWorld is a sampling of articles that entertain, enlighten, educate and provoke. About half are by Alan Twigg, who has written the majority of the newspaper since its inception in 1987.

To some extent, everyone plays with language and uses it as a form of recreation as well as a means of communication. Recognizing that the creation of true wit is a subjective endeavour, Richler suggests that the commission of language wit occurs not only wittingly, but also unwittingly and sometimes even half-wittedly.

From Franz Boas to Alice Munro: welcome to an unprecedented panorama of the most significant authors and books of British Columbia culled from Alan Twigg's unrivalled knowledge of more than two centuries of B.C. literary history. The Essentials is the new bible of who wrote what, and why, in B.C., produced with the cooperation of Simon Fraser University Library and UBC's Rare Books & Special Collections. Alan Twigg, publisher/writer of B.C. BookWorld, also created the abcbookworld public reference site with information on more than 9,500 B.C. authors.

This collection of over thirty essays by both well-known and emerging writers explores what it means to “be at home” on Canada’s West Coast. Here the rainforest and the wild, stormy cost dominate one’s sense of identity, a humbling perspective shared in memoirs by individuals who come to see themselves as part of a larger ecological community. Alexandra Morton followed the orcas to the Broughton Archipelago and now fights to protect wild salmon from the impact of fish farms.

Canada's foremost literary critic looks at the politics of irony in modern writing and explains how it relates to imperial history, how it impacts upon personal memories, how it speaks from the margin, and how it indirectly teaches us to resist presumptuous authority.

The bawdy English language has never been overly concerned with purity, and this promiscuous proclivity has contributed to many alluring word histories. Words, like species, evolve, and particularly those words that have been in existence for many centuries have undergone major evolutions in meaning. When you read Strange Bedfellows: The Private Lives of Words, you will discover the unexpected.

The names Cook and Quadra ring a bell for most of us, as do Bering and Vancouver, but how much do we know about the Greek-born navigator, Juan de Fuca or the Machiavelli of the maritime fur trade, John Meares? British Columbia's earliest authors and explorers are skilfully introduced, for the first time collectively, by Alan Twigg. This is a compelling account of the characters, events and intrigues that comprised British Columbia's earliest literary history prior to 1800.

In his 2015 Garnett Sedgewick lecture, award-winning poet and literary critic Stephen Burt discusses the relation of poetry to time, space and place. He examines the widespread and popular view of contemporary critics who claim that modern lyric poetry is supposed to have a speaking self who resides outside of space and time, and addresses readers who do not care who or where they are. In other words, place or the “there” of the poems is supposed to have no importance to the lyric voice.

Following the success of First Invaders (Ronsdale, 2004), Alan Twigg turns his attention to First Nations writers, unearthing more than 300 books by more than 170 mostly unheralded British Columbia aboriginal authors. Taking the reader from residential schools to art galleries, this lively and unprecedented panorama of British Columbia includes trailblazer Pauline Johnson, political organizer George Manuel and Haida carver Bill Reid. Equally important, Aboriginality sheds new light on fascinating, lesser-known figures such as Chief William Sepass, and Howard Adams, to name only two.

An intensely beautiful, searingly powerful, tightly constructed novel, Brother explores questions of masculinity, family, race, and identity as they are played out in a Scarborough housing complex during the sweltering heat and simmering violence of the summer of 1991.

With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home.