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Poised and buoyant, musing among ironies; alive to the psychologies of weather, night noises, mowing the lawn and putting it off; knowing the many mindscapes of neighbourhood, detecting the places where myth surfaces into a backyard or long weekend, where a situation teeters on the brink of art and "imagined creatures are making / real connections" -- what is Closer To Home is domestic life that has been given back its dance, the bite and mystery that both provokes and eludes the grasp of the mind.

Shortlisted for the 2008 Pat Lowther Award and the 2009 Heritage and History Book Award [Writers Alliance of Newfoundland and Labrador], nominated for LGBT Poetry (2008 Lambda Literary Awards) and longlisted for the 2008 ReLit Awards The spirit of the departed -- source, origin, heritage, history -- is the essence of this book, rich with the tang of Newfoundland speech. Agnes Walsh's first book, In the Old Country of My Heart, is one of the most read and best loved books of poetry to come out of Newfoundland.

Nominated for the CAA Award for Poetry [Canadian Authors Association] A renowned poet lets language ride its own musically-malleable syntax into unfamiliar regions of consciousness. Brian Henderson has established himself as a poet who brilliantly makes us aware of language as an instrument of discovery.

A long poem that limns the incremental mourning of living with a person who has frontotemporal dementia. Selah, from Psalms and Habakkuk -- to praise, to lift up, to weigh in the balances, to pause, or a purely musical notation. Biblical scholars debate the exact meaning. Selah, Nora Gould's second poetry collection, is a sequence of fragments written in dialogue with all of these meanings. Stitched together, these fragments form a poem that runs from the ranch land of Alberta into the heart of a shared house and a shared life.

The world in Carolyn Marie Souaid’s latest collection is both an act of the imagination and a responsibility. Souaid’s poems zoom in and out, shifting focus to accommodate varied dimensions of experience. We move from the breakdown of a relationship to primordial ooze to a suicide bomb to a son doing his math homework. In a disarmingly personable voice, Souaid investigates our darker moments, faces up to losses and failures both intimate and public, often with wry humour.

Edited by Mark Abley; Preface by Hilary Clark; Afterword by Mark Abley This posthumous collection will be a delightful surprise for readers who thought they had heard the last of Anne Szumigalski's nimble, sideslipping, otherworldly voice. Szumigalski's poetic universe is as beguiling and unpredictable as dreams and myth, and like them, her universe can be enchanting, visually lush, and suddenly dangerous. The poems deal with ultimate questions. What is time? What is memory? Is it invented or real? Is death a kind of dream? Is life? Is God a man, a woman, or a Sacred Reptile?

Whether speaking of erotic love, domestic life, spiritual wilderness, or family entanglements, the poems of Auguries, the much-anticipated second collection from Yukon poet Clea Roberts, are saturated with their northern landscape. Roberts is well versed in the distances and dynamics between tedium and ecstasy, light and dark, isolation and solitude, freeze and thaw, flow and stillness. Her poems are spare and clean, each like a single larch in an immense white plain; their exactness startling and arresting.

Jaguar Rain is a rare text: at once a book of stand-alone poems and a work of scholarship, with textual notes and bibliography. Written in the voice of Margaret Mee (naturalist, explorer, and painter of flowers in the Amazon between 1956 and 1988), the poems are infused with wonder at a discovered new world of extraordinary richness, which is also an old world still governed by myth, and the ecological interdependence of everything: plant, animal, human, god; the living and the dead. Sources for this collection include Mee’s journals, sketchbooks, and paintings.

Shortlisted for the 2003 Henry Kreisel Award for Best First Book (Writers Guild of Alberta Award) In Cartography and Walking, Adam Dickinson charts his own listening -- an acute listening of eye and ear, a listening with both body and mind. "Cartography" is more than a metaphor for him, it's a way of being. It is how we dwell in the world, and how intimacy enriches such dwelling. Yet "cartography" is the presiding metaphor, the structure of this book; in giving it such a place, Dickinson reminds the reader of that very human impulse to plot, to imagine.

Shortlisted for the 2002 Gerald Lampert Award Sue Sinclair's poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to the sensuous surface and the meditative depth, their antennae fully extended.