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"On September 11, 2001, journalist Tom Flynn set off on his bike toward the World Trade Towers not knowing what he was riding into. Bikeman is one man's journey back to the horrors of that day and to the humanity that somehow emerged from the dust and the death.

Clementine von Radics writes of love, loss and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.    

The Last to Leave is Margaret Clough's second collection of poetry. These poems follow on from her first extremely popular collection, At Least the Duck Survived (2011) in that the light, warm-hearted tone continues as does Clough's engagement with aging and mortality. These poems are a tonic and leave the reader feeling refreshed, saddened and better off. Clough has participated in The Franschoek Literary Festival, and has been invited to a number of reading engagements in the Western Cape, including the McGregor Poetry Festival. Her books sell out every time she reads.

<p><i>This Drawn & Quartered Moon</i> makes pre-millennial San Francisco its epicenter, and from there ranges out in time and space. Characters abound.

“In Flanders Fields,” the iconic poem which gives its title to this collection of poems and selected prose, is one of Canada’s — and the world’s — best known poems of the Great War. It was written in 1915 by Canadian John McCrae, an artillery man, poet, and medical doctor, upon the death of a friend and fellow soldier during the Second Battle of Ypres in 1915. This is a faithful reissue of the Canadian first edition of McCrae’s writings, originally issued by his friends in 1919 in his honour and memory.

The writing of Robert W. Service is mostly known through his poems and ballads. Immortalized by his two iconic ballads, "The Cremation of Sam McGee" and "The Shooting of Dan McGrew," he has entered the world’s imagination as the Bard of the Yukon.

Half-Mohawk, half-English author Pauline Johnson astounded Canada with her unique poetry, prose, and presentations. Pauline Johnson was an unusual and unique presence on the literary scene during the late 19th and early 20th centuries. Part Mohawk and part European, she was a compelling female voice in the midst of an almost entirely male writing community. Having discovered her talent for public recitation of poetry, Johnson relied on her ancestry and gender to establish an international reputation for her stage performances, during which she appeared in European and native costume.

This collection “spattered diversely by the trades that we live by” as Pablo Neruda puts it, reflects the variety of influences that have shaped the poet’s craft. Kalamkari (from the Persian for “pen craft”) refers to the hand-painted and block-printed textiles of South India where the poet grew up, and this section of the collection contains poems combining memories of her childhood with contemporary realities especially those affecting the lives of Indian girls and women.

Many come to evil; many others search for a different way to be. Animated by the work of Caravaggio, Hendrik Slegtenhorst’s poems inquire, what is a pursuit of right action? Caravaggio, the murderous, brilliant 16th-century painter, depicted the decapitation of John the Baptist at the moment the act is botched: jugular severed, head attached, the saint in agony – an exemplification of humanity’s predilections.

The stories and poetry in this book came to the writer between the years 2013 and 2017. She believes that stories have the power to disclose, heal, lead, and, for many, to transform. Her stories have been described as sometimes loving, sometimes gripping, and often unsettling. Like the writer, this book is inclusive as well as diverse.