Abstract
Felicity Alexander should be charming audiences at New York's Metropolitan Opera, not under house arrest in Grenada in October 1983, as rumours swirl that United States troops are preparing to invade. Born and raised in Winnipeg, the daughter of a Grenadian woman and an absent white father, Felicity is blessed with enviable beauty and an extraordinary singing voice. Arriving in London to study opera in 1965, she finds early success and joy on stage—as well as a sense of belonging in the arms of the charming Claude Buckingham.
